Longspurs 3, Owls 2

It was a perfect prairie homecoming today. Gary, Chris, Mark, and Molly discovered a Lapland Longspur yesterday on the Sonoita grasslands near Elgin, and there was no way I couldn’t look for that bird, a species with fewer than 20 records ever for southeast Arizona.

So Darlene and I bumped across the pastures on a dramatically windy afternoon, finding the described site and, a pleasant surprise indeed, Erika and Marjorie hunkered down in the lee of a stock tank. A couple of hundred Horned Larks were feeding among the cowpies, and goodly numbers of Chestnut-collared Longspurs joined them, their musical little chirrups chiming each time the flock shifted position.

Most of the Chestnut-collareds were females or drab males, but a few were showing the black of breeding dress concealed beneath their pale feather edges.

I was particularly excited to find at least 4 McCown’s Longspurs in the flock, a bird I know well from its breeding grounds in northwest Nebraska but one I have rarely seen in winter; it was outstanding to see them with the Chestnut-collareds and to firm up my shaky impressions of their face pattern and bill shape.

Marjorie and Erika had been holding down the fort long enough to be cold in the biting wind, so they headed out. Darlene and I continued scoping the flock, and 45 minutes later a dazzlingly bright male Lapland Longspur appeared. He fed among the grasses and the cowpatties for a good 20 minutes, apparently unaware of how intensely he was being admired. Gary has posted beautiful photos of the bird at azfo.org, but I was reduced to a miserably poor effort at digiscoping; still, the bird is identifiable as it peeks over the cowflop in the glare of a shakily held camera.

Well, maybe ‘identifiable’ was an exaggeration, but he’s in there!

So what to do after that wonderful experience? The clouds and the light over the mountains drew us over to the San Rafael grasslands for dusk. Northern Harriers were gathering to roost, and the last Mourning Doves and Lilian’s Meadowlarks were on the roadsides. It started to rain, then to snow, but like ornithological mailmen, we were undeterred. As we drove the dirt roads slowly in the gloaming, we flushed first one, then another, then a total of at least four Short-eared Owls. Our last bird of the day was a Burrowing Owl, standing on the road in front of the car, bobbing slightly on its stilt-like legs before it too lost itself in the tall grass.

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Croseri, The Flight: In Memory of Homing Pigeons in Combat

Feathered rats, RoPi-dopes, pigs in space: How we birders love to hate ’em! Even those of us who confess to a grudging admiration for such aliens as European Starlings and House Sparrows have nothing but scorn for the Rock Pigeon, a filthy beast that, in its nearly worldwide introduced range, has never made the break with its utter dependence on man and his habitats.

But even the most cursory look reveals that like all creatures, Rock Pigeons have a fascinating natural history, as Cornell’s Project PigeonWatch continues to remind us. And the very commensalism that makes so many of us look down on the lowly pigeon means that the species has long enjoyed a special and privileged place in cultural history, too.

Alessandro Croseri’s moving Flight is a brief video homage to one aspect of that cultural history, the role that Rock Pigeons have played in war. Combining historic stills with beautiful images of pigeons flying free over New York City, The Flight reminds us that homing pigeons, by carrying messages and even taking photographs with cameras strapped to their iridescent-feathered necks, saved lives and won battles in the First and Second World Wars. The film does without narration, relying on a somber but appealing sound track and the juxtaposition of images to carry its message. Particularly memorable is the morphing of pigeon wingbeats into artillery fire, and the visual fade of a flock of birds into a squadron of bombers.

Such images might suggest that Rock Pigeons in combat were nothing more than another weapon. But Croseri includes other, equally remarkable images showing the birds and their relationship to their human handlers. Pigeons are cradled and caressed before being sent “into harm’s way,” and their sacrifices are commemorated both photographically and taxidermically. In one of the film’s more bizarre shots, captured ‘enemy’ pigeons are paraded through town in cages, simultaneously spoils of war and prisoners.

Al Croseri is to be congratulated on an effective and moving piece of film-making, and anyone interested in birds and their place in human history is encouraged to watch this film. It will change the way you think about pigeons.

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