Other People’s Bird Books: A Challenge

IOlaema schreibersi, in Mulsant and Verreaux

The copy of Mulsant and Verreaux’s Histoire naturelle des oiseaux-mouches on line at the wonderful Biodiversity Heritage Library has a particularly distinguished provenance. Now in the collections of the Smithsonian Libraries, the paper cover of the first livraison of the first volume bears a neat inscription:

Mulsant and Verreaux, Hist nat ois-m

To Dr. Sclater, with respectful homage from E. Mulsant.

Can’t get much better than that.

At the conclusion of his research trip to England, Mulsant returned to France

regretting that I had not succeeded in meeting Mr. Sclater in person, as he was then presiding over a meeting of natural historians in Ireland.

Unfortunate as the timing was, Sclater was just about the only British trochidologist Mulsant had not got to know. His guide through the London collections was none other than Adolphe Boucard. An ailing John Gould showed him not only his skins but the drawings in progress for the supplement to his Monograph. Osbert Salvin, on finding himself obliged to leave town for a week, gave Mulsant free access to his private collection. George Loddiges, of course, had died some time earlier, but his sons were eager to let him visit the family collections, which had not yet been moved to Tring.

So here’s a challenge: I assume that Mulsant will have sent copies of the book, or at least that first fascicle, to every one of these kind benefactors.

Can you help me track them down?

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What’s So Tricky About a Kingfisher?

The Sulawesi dwarf kingfisher is neither common nor especially well known. But does that justify naming the poor bird “the trickster,” as Hermann Schlegel did in 1866?

Keulemans
Keulemans

It’s not an infrequent name in the history of ornithology, fallax, and in this case, the original namer fills us in on his reasons for calling a newly discovered bird sneaky:

Messrs von Rosenberg and Renesse van Duivenbode have sent us the skins of a species of kingfisher that, because of its small size and coloration, one would at first glance be tempted to think belonged to the three-toed species that make up the modern naturalists’ subgenus Ceyx. Our new species, however, is furnished with four toes, and thus, it forms, so to speak, the transition from the Ceyx kingfishers to the others — while at the same time showing that the distinction based on the number of toes is entirely secondary and artificial.

Tricky!

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Ultra-Napoleonic Fatuity

Poor Charlie Bonaparte.

Charles Bonaparte tomb

Not even death and a Corsican grave could save him from the withering criticism of his colleagues and successors in ornithology — the witheringest among them, unsurprisingly, Elliott Coues. Twenty years after Bonaparte had shuffled off his mortal coil, Coues was still after him, calling his later scientific contributions “not only a worthless but a pernicious aggregate.”

Bonaparte’s greatest crime, though, exceeding even his “pedantries and pleasantries,” was what Coues called “juggl[ing] other authors out of the way to make room for himself,” appropriating bird names already properly published by other scientists. The result:

we have a state of things that is a disgrace to himself, a scandal to science, and only to be adequately characterized by the word abominable…. an ultra-Napoleonic piece of fatuity.

All that’s bad enough, but Coues in his fury overlooked one Bonapartean act even ruder than the theft of names.

Gould, green-fronted lancebill

Bonaparte’s Conspectus generum avium is, as the title announces, a list of the genera of birds, with representative species given under some genera. For the most part, that’s it: names and authorities, nothing else. The entry for the green-fronted lancebill, however, concludes with a very odd little note:

This bird, whose name comes from “gifts to be carried,” and whose forehead bears hope — I command this bird to greet that Louise who gave hope to the exile and to whom he owes assistance and consolation!!!

Yes, those are Bonaparte’s exclamation points; we can be happy that his printer had no i‘s dotted with hearts and daisies.

But what is this note all about?

First of all, Bonaparte willfully misreads the hummingbird’s genus name. “Doryfera” has nothing to do with a geek’s bearing dona, but rather, as Cabanis told us, refers to the bird’s bill: “spear bearer” could hardly be more apt for this, well, lance-billed trochilid.

The notion that the bird’s forehead carries positive anticipation, weird at first glance, is presumably meant to invoke the hokey iconographic tradition of green as the color of hope.

And then there’s “that Louise.”

This species was first described by Bourcier and Mulsant two years before Bonaparte got his hands on it. They dedicated the bird to Louise Blacque-Belair, the wife of Isidore Geoffroy Saint-Hilaire. Mme Geoffroy seems to have been a favorite in French zoological circles; Milne-Edwards praised her

tender and delicate graciousness, her kindness, the distinction of her bearing, and the high-mindedness of her spirit.

I assume that Bonaparte is referring to the same Louise, who, with her husband, stuck by him through the thick and thin of his years of exile; Stroud tells us that Isidore, in fact, was the most important intermediary between the naturalist and his cousin the emperor in the negotiations to end Charles’s banishment from France.

How nice of him to be grateful. But by commanding the bird to greet “his” Louise, Bonaparte rather horns in on the original, graciously simple dedication, hijacking Bourcier and Mulsant’s act of naming to thrust himself forward (a bit like a pushy lance bearer, I suppose).

It’s all in very poor taste, and if Coues had noticed, this computer screen would be smoking, I’m sure.

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Book Review of the Day

I’ve written a negative review or two in my day, but I can’t remember ever cutting as deep as does Johann Georg Wagler in his assessment of Juan Ignacio Molina’s Essay on the Natural History of Chile. Difficult as Wagler had found it to work with John Latham’s catalogues,

how much more annoying was it when I attempted to identify the species of each bird by the descriptions taken from Molina’s book, which was cobbled together as a torture for every scholar of ornithology.

It’s remarkably poor form to respond to a review, but I bet poor Molina, then 87 years old, was tempted. I would have been.

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When Will It Ever End?

Epiphanii Physiologus, Peter van der Borcht

Lunacy has no expiration date, especially when it comes to Crazy Animal Stories. Even so, I was astounded and delighted the other day when Suzie pointed out that the old — I mean really old — story of the eagle’s rebirth and renewal is still floating around in the new age ether.

It’s easy enough to round up some of the earliest attestations of the tale — Psalm 103 springs to mind — but I’ve started to wonder something else. As widespread and persistent as it was (is!) in the literature of allegoresis, how long did this story survive (minus its moralizing explication) in the scientific tradition?

Belon, Book II, aigle

In 1555, Pierre Belon was still repeating it in his discussion of the “naturel” of the golden eagle:

one has observed that this eagle has a long lifespan, and that when it grows old, its beak lengthens so much that it is so hooked that it keeps the bird from eating, and so it dies from that, not of an illness or its extreme old age, but from not being able to use its beak any more, which has grown so excessively.

Gesner, eagle, image page 196

That same year, Conrad Gesner, too, reported the eagle’s nail care, without himself endorsing the notion of renewal.

Some say that the herodius [a type of eagle] and other raptorial birds sharpen their talons and overgrown bill by grinding them against a rock when they have grown too dull to take prey. And this has been seen to be true.

Ulisse Aldrovandi, author of the most thorough early modern books about eagles, likewise appears to accept that the eagle hones its own bill and claws.

“The eagle,” Aldrovandi says, “is afflicted by very few diseases,”

chief among them dullness of vision, loss of feathers, and excessive curvature of the beak, which in old age can prevent feeding.

Aldrovandi, like Gesner and Belon, rejects the idea that simply whetting the overgrown bill to a useable state leads to any supernatural rejuvenation.

As late as the early 1650s, Johannes Jonston, much of whose Natural History was copied from Aldrovandi, was still telling the story without any indication that it might, just might, be a fiction.

As far as I know, the first clear rejection of the story of the eagle’s filing its beak and nails is that in Willughby and Ray’s Ornithologiae libri tres, published in 1676 and then, two years later, in English translation.

 There are many things delivered by the Ancients and Moderns concerning the nature and conditions of the Eagle in general; [some of] which are false… [as] I take the following to be…. 10. That in extreme old age, when their Beaks by reason of their driness are grown so crooked that they cannot feed, they sustain themselves for some time by drinking…. 12. That she hath an extaordinary care of her Talons…. if by chance they be blunted, she sharpens them with her Bill, or whets them upon stones, to render them fitter for preying.

Willughby and Ray, golden eagle

Nearly a hundred years later, Nobleville and Salerne would identify the same stories as definitively false.

The myth of the eagle’s renewal has a second part, though. Aldrovandi recounts it this way:

When the eagle is weighed down by old age, it flies as high above the clouds as it can; then the dullness and dimness of its eyes are consumed by the heat of the sun. Quickly then, with the fervor inspired in it by that same heat, it dives three times into the coldest waters; when it emerges, it returns straightaway to the nest, where its chicks have reached the age that they can hunt. As if seized by some fever, among the chicks it drops its feathers in a sweat. Until it has recovered all its feathers and down, it is fed and cared for tenderly by its young.

While the myth of the eagle and its bill strop survived into the mid-seventeenth century, this second portion of the story was dead in the scholarly water a hundred years before. Gesner offers an entirely different, entirely prosaic reason for the bird’s apparent “renewal”:

hardly any explanation for this change seems as likely as that it should be understood as the molt of the feathers. For birds that have molted, which is most readily seen in birds of prey such as eagles and hawks, seem to be renewed in a certain sense.

Aldrovandi agreed, and he took Gesner’s passage over almost verbatim into his own ornithology. In this, both stand in a tradition that reaches back to at least the thirteenth century and Albertus Magnus. Albert relates the story as told by Jorach (elsewhere, Albert says that this source “often lies”) and Adelinus (presumably the author of the Liber monstrorum), but he adds that

I have not witnessed this…. I can say nothing about this but that nature harbors many things miraculous. But what I have observed in two eagles here in our country does not confirm what they say: for those two birds were captives and molted in the same way as other raptorial birds.

Science abandoned this story early. But it survived, of course, in texts of other sorts. In the emblematic literature, for example, it supplied the pictura in emblems of baptism, penitence, and steadfastness in the face of hardship; I assume, too, that it continued to be passed along in sermons and exegetical writings, whence it trickled its way down over the centuries to the self-help section of your local Barnes and Noble.

Just one more piece of evidence proving that we as a culture aren’t quite as grown up as we like to think sometimes.

 

 

 

 

 

 

 

 

 

 

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